Congratulations to Lil’ Ed, The Blues Foundation has nominated him for a 2009 Blues Music Award in the category of “B.B. King Entertainer of the Year”, “Band of the Year” & “Traditional Blues Album of the Year“ for Full Tilt.

Hear Lil’ Ed talk about his brand new CD Full Tilt as well as how his uncle, blues artist J.B. Hutto, got Lil’ Ed started in his musicale career.
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Lil’ Ed & Blues Imperials have been playing together for over 20 years. The new CD Full Tilt is their seventh record for Alligator Records. This band is about having a good time on stage smiling, laughing, and jumping around having the time of their lives. Through all this they are putting out blistering West Side Chicago style music that will put you in full tilt. Lucky for us Alligator Records has found a way to bottle this, well, put it on a CD, so we can take this wonderful experience home with us. Full Tilt will slap a smile on your face and start the party.

Lil’ Ed Williams and half brother James Young grew up in the late sixties hearing the blues played in their parents house. As young teenagers, Ed’s Uncle J.B. Hutto got the two kids interested in playing music. J.B. Hutto was already a famous slide guitarist that was known for putting on wild and exciting blues concerts. Their aunt gave them some money to buy instruments. J.B. would come by to give Ed lessons on the guitar, then Ed would teach what he learned to James. Later on James switched to bass leaving Ed to play guitar. When they got good enough J.B. used them in his band. They mostly played small bars and clubs, but one time they played an out side concert to maybe 300 people. This was a real eye opener for Ed and James. J.B. would wander through the crowed playing the guitar. Then tried to get Ed to jump off the stage and go into the crowd. Ed realized that just playing the guitar was not enough, you had to be a showman too. Ed and James were also playing in a band of their own when not needed by J.B. Hutto. Sadly in 1983, at the age of 63, J.B. Hutto past away. In 1986 Alligator Records founder Bruce Iglauer asked the band now called Lil’ Ed & the Blues Imperials to record two songs for a multiple artist record he was putting together. Bruce enjoyed the band so much he kept asking them to play another song, and then another. Till after 3 hours they had around 30 songs. Wisely Bruce offered the band a full album contract on the spot. They picked the 12 best songs from the live studio session and released it as Roughhousin’ with no overdubs or retakes.

Now seven records later we have Lil’ Ed & the Blues Imperials’ Full Tilt, still at the top of their game. The first song starts off like a train at full speed. “Hold That Train” is about how he and his baby just had a big fight. The music is fast pace, fun, and has some of his best slide guitar playing on it. Lil’ Ed is known for his fast, clean, and smooth slide guitar playing and this song delivers all of that. “Housekeeping Job”, “Woman, Take a Bow”, and “Every Man Needs a Good Woman” are all very good blues songs that give you a breather from the fast pace Full Tilt of the other songs. Johnny Iguana was brought in to play organ on “Every Man Needs a Good Woman”. This lays a beautiful backdrop for Lil’ Ed to add more wonderful slide guitar over. “Don’t Call Me” is a song you can really relate to. Ed sings, “I woke up this morning at 6 am, they needed a number from my credit card, that’s when phone hit the wall real hard, don’t send me no email, don’t send me a fax, don’t call me on the phone, just leave poor me alone.” This is Lil’ Ed & the Blues Imperials playing in Full Tilt form. Other Full Tilt rockers are “Sweet Candy”, ”First I look at the Purse”, “Open Invitation” and “Take Five”. “Take Five” is a song Hound Dog Taylor recorded on his first 45″ in 1960 and later on his 1973 LP Natural Boogie. As you would imagine Lil’ Ed & the Blues Imperials tear through this song in Full Tilt form. I’ve seen this band two times this year and had a wonderful time. Not only listening to a band that plays great, but is having just as much fun entertaining me as I am getting entertained. Michael Garrentt is the other guitarist he has a much rougher playing style than Lil’ Ed’s fast, smooth style. Together they really compliment each other. Kelly Litileton has a very basic drum set but he is a fast hard hitting drummer that is just as fun to watch as Lil’ Ed or Michael. The three of them make are having a wild time. Then there’s James “Pookie” Young the bass player. Pookie just stands there doing his job, holding the bottom down. Every one else on stage or in the audience is in a Full Tilt. Now you too can be in a Full Tilt. Just buy the CD and remember when you push play the party starts.

Songs in the show are:
“Don’t Call Me”
“Every Man Needs a Good Woman”
“Dying to Live”
“Hold That Train”

Lil’ Ed & Blues Imperials Website

Lil’ Ed & Blues Imperials MySpace

Buy the CD Full Tilt from Alligator Records

Check out other great blues CD’s from Alligator Records

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Blues Music and Interviews
A1Blues.Com
formerly A1 Artist Spotlight. Com
by A1 Mark

Hear the Ana Popovic interview and some great songs from her hit CD Still Making History. Plus a new remixed reggae version of “Between Our Worlds”.
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Ana Popovic (pronounced Ah´nah Pop´o vitch) was born in Belgrade, Serbia formerly Yugoslavia. Ana’s father played guitar and had a collection of records. Though many of the records we take granted, her father Milutin had to work hard to get ahold of. Some of the people Ana remembers listening to were Howlin’ Wolf, Albert Collins, Koko Taylor, Snooky Pryor, ZZ Top, The Allman Brothers, and her dad’s favorite Stevie Ray Vaughan. Milutin would also invite his friends over for jam sessions. Ana was also reading Blues Review, Guitar Player, and other music related books her dad could get his hands on. By her late teens, Ana had become a gifted guitarist and formed a band called Hush. A female frontwoman that sang in English was strange at the time, but was still held in high acclaim. With the fall of Communism Hush was now free to travel to other countries for shows. Ana was selected to go to the Utrecht Conservatory in the Netherlands. While there she got a record deal with Ruf Records. In 2000, Ana flew to the US to record with produced by Jim Gaines, who once producer for Stevie Ray Vaughan. In 2001 the CD Hush! was released. She also appeared on a Jimi Hendrix tribute album, Purple Haze. Some of the guests on Purple Haze include Buddy Miles, Eric Burdon, Taj Mahal, Walter Trout, and Bernard Allison.

2002 Recieves Blues Nominations in France for: “Best Singer”, “Best Guitarist”, and “Best Album”.
2003 She releases the CD Comfort to the Soul.
2004 She wins a prestigious jazz award in France.
2005 Releases Ana! Live in Amsterdam as a CD / DVD
2006 After much touring Ana is signed to one of the biggest blues labels, Delta Groove.
2007 Still Making History is # 4 on Billboard Blues Chart & appears in the movie Spring Break ‘83.

2008 Ana is still making history with a new remix. She gave birth to a baby boy, Luuk. Ana has also been doing more touring.

Everywhere you go, from magazines like Blues Revue to the internet to a podcast or even the radio, everyone is in love with Ana Popovic’s Still Making History. The way Ana makes a smooth transitions from rock to jazz to blues, and even reggae keeps the listener interested at all times. Besides just having great music Ana has nice, deep lyrics. “Hold On” is about how people should hold on to their dreams. Ana had many obstacles to over come to get to were she is today. Such as having a Serbian passport, which Ana laughs, is not the best way to get into the US, but she kept going strong. “Still Making History” has the line “No more wars, no more pain, no more loneliness / And no worries / Another circle around the sun, be sure / We’re still making history”. Ana told me about how every day (“another circle around the sun”) we should be trying to change things for the better. The song ends with “Why don’t we give peace another chance? / Be sure / We’re still making history”. More great lyrics in the song “Between Our Words” like “
We are building / Bridges of compromise/…/ Everybody deserves a chance / Who’s here to take and who to give? / Women of 28 down in Africa / Deserve the life I live”. Lyrics are not all Ana Popovic has to offer. She can rock out too, like on the song “Hungry” made popular by Eric Clapton from the 1976 record, No Reason to Cry. Ana takes it up a notch, it really rocks. Then you have the sexy, jazzy, blues song “Doubt Everyone But Me”. John Cleary adds some really nice piano behind Ana’s sexy voice. Ana and her family used to listen to Stooky Pryor way back when she was three years old. They could never quite understand what Stooky saying in the lyrics of “How’d You Learn to Shake It Like That”. The whole band got together to listen and figure out the lyrics for this one. When Ana is singing lines like “He said how’d you learn to shake it like that? / Your daddy was a preacher / Oh, but my mama was an alley cat” you know it’s a lot of fun. Ana’s voice is great with a tuff, sexy sound that is only surpassed by her slide guitar playing. An example of this is in the slide guitar playing your going to hear in “The Guitar Solo of the Week”. It’s taken from “Is This Everything There Is.” Ana really shows you what it’s all about on the slide guitar. Then she has “Shadow After Dark,” “Sexiest Man Alive,” and…well, maybe you should just listen to the podcast and let Ana Popovic tell you about these songs. Besides hearing songs from Still Making History, you will hear a new remixed reggae version of “Between Our Worlds.” This is going to be a part of the soon to be released CD, with about five remixed songs from Still Making History. This is in hopes of reaching a wider audience, which should also help to bring more people into the blues audience. If you like what you hear in the podcast please buy the CD. Below are some links to where you can buy the CD. Please tell your friends about this CD too.
Songs played in podcast:
1. U Complete Me
2. Hold On
3. Between Our Worlds (Remix)
4. Shadow After Dark
5. Sexiest Man Alive

The “Guitar Solo of the Week” is from Ana’s “Is This Everything There Is.”

Ana Popovic Website

Ana Popovic MySpace

Buy CD from CD Baby Website

Eclecto Groove Records

Delta Groove Productions

I would like to thank Ana Popovic for taking time to do the interview before returning to Holland.
Thanks to Karen Leipz, Kristal Blue, Kelly Davis, and everyone over at Delta Groove Productions for all their help in setting everything up.

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Blues Music and Interviews
A1Blues.Com
formerly A1 Artist Spotlight. Com
by A1 Mark

Hear Jon Paris talks about touring with Johnny Winter for 10 years as well as his own great blues rock CD Blue Planet.

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Jon Paris has toured with Johnny Winter, Johnnie Johnson, Bo Diddley, and Mick Taylor among others. Jon has jammed or performed with Lonnie Brooks, Savoy Brown, Jack Bruce, Roy Buchanen, Paul Butterfield, John Mayall, Buddy Miles, Steve Miller, Charlie Musselwhite, Mark Naftalin, Albert Collins, John Entwistle, Hubert Sumlin, Warren Haynes, Jeff Healey, Duke Robillard, Jimmy Rogers, Otis Rush, Stanley Jordan, Elvin Bishop, Bob Margolin, Albert Lee, Les Paul, George Thorogood, Jimmie Vaughan, Edgar Winter, John Lee Hooker, and some guy named Muddy Waters. Think I left anyone out, for the complete list go to his website.

Jon Paris was on at least three Johnny Winter records, one Edgar Winter record, two Bob Dylan records, and a whole lot of others. His two records rock just as much as any of the people he has worked with. I know what you’re thinking, how could this guy I’ve never heard of be this good. Look who he has gotten to work with as well as learn from first hand. If you still don’t believe me just listen to the show, you will hear some of the best rockin blues since Muddy Waters had a baby and named it rockin roll.
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Jon started playing drums before the British invasion happened with a band that was doing songs by Chuck Berry, Bobby Bland, Freddie King, Everly Brothers and others of that style. After the British invasion they started doing songs by The Beatles, Rolling Stones, Yardbirds and Manfred Mann. Later he learned guitar, bass, and harp. By the early seventies he had played most of the clubs in and around Michigan, Wisconsin, Minnesota, Iowa, and Illinois. He moved to New York and played on the streets in the village and made pretty good money. Later he started a band that opened for George Thorogood, The Fabulous Thunderbirds and other bands of that type. Jon got to tour Europe with Robert Gordon and Link Wray. Link Wray is one of those people that Jimmy Page and the late Jerry Garcia rave about. Pete Townshend said “He is the king; if it hadn’t been for Link Wray and “‘Rumble,’” I would have never picked up a guitar.” Jon felt this was his first real professional job getting to work with someone who was way a head of his time.

One night in a club Jon ran into Johnny Winter who need some guys for his band. Jon got the job of bass guitarist and harp player. This took him around the world a few times and gave him the opportunity to play with many top musicians. Jon said he liked how every night it was something different. You may play a thousand set club, next night ten thousand set hall then do a rock festival with sixty thousand. As long as the people were digging the music he did not care how many people there were. Johnny was good at pulling out different songs form his past records plus covers from when he was growing up. This kept the band on their toes never knowing what may come next, but this also made it fun for Jon getting to play songs he may have only heard once or twice.
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Later Jon Paris toured with ex-Rolling Stones Mick Taylor. Jon said, on a good night Mick was untouchable. Speaking of untouchable wait till you hear his CD Blue Planet. This CD is untouchable for hard-hitting rockin’ blues. “Big Big City” is a driving Bo Diddley beat that was written about first moving to New York City. There’s a Muddy Waters song “Blues Had A Baby and Name It Rockn’ Roll”. Jon does it a little more rockin’ than Muddy did, but you’ll love it. Jon does an all out slide guitar attack on Elmore James “Talk to Me Baby”. A version of John Lee Hooker’s “The Boogie” is reminiscent if something George Thorogood would do. “Juke Joint Jump” is based on a driven blues guitar riff. “One Step Forward and Two Steps Back” is a face pace rockin’ song that talks about how no matter how hard you try you never seem to get ahead. You may know the song from Johnny Winters 1992 CD Hey, Where’s Your Brother. Johnny liked this song of Jon’s so much he recorded it as well as “So Much Love” which is on Jon’s 1996 CD Rock the Universe. I could go on and on about this CD but the best thing for you to do is play the show and see for your self what a great CD Blue Planet is.

The Band is:
Jon Paris – guitar, harp & vocals
Amy Madden – bass
Sandy Gennaro – Drums

Songs in podcast:
1. So Much Love *
2. Big Big City
3. One Step Forward and Two Steps Back
4. Overhauled Cadillac
5. Paris Blues
All songs from the CD Blue Planet
* Except “So Much Love” from Rock the Universe

Jon Paris Website

Buy Blue Planet CD from Blues Leaf Records

Buy Jon Paris Blue Planet from Blue Storm

Buy Jon Paris Rock the Universe from Blue Storm

Thanks to Rick Lusher for set up the interview.
Thanks to Jon Paris for the cool interview and help in putting this together.
Hey Jon, I got to hear the Tiny Bradshaw song you told me about, very cool.

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Blues Music and Interviews
A1Blues.Com
formerly A1 Artist Spotlight. Com
by A1 Mark

Congratulations to Nick Moss & the Flip Tops, The Blues Foundation has nominated them for a 2009 Blues Music Award in the category of “Band of the Year”.
Also congratulations to Gerry Hundt of the band for “Instrumentalist-Other” category (Mandolin).

Hear Nick Moss talk about his CD’s Play It Til’ Tomorrow plus some great songs from this double CD.Play It Til’ Tomorrow is the sixth CD for Nick Moss & the Flip Tops. They have been putting out CD’s since 1998 with just about everyone raving about them or nominating them for awards.
Buddy Guy said Nick Moss is a local favorite at his club and Nick works hard to please the audience.
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Nick’s older brother Joe bought Nick a bass and amplifier when he was about 12 years old. His brother got tired of Nick playing around with his guitar and said, learn this I need a bass player. Nick learned the bass and played in his older brother’s band. The year before going to college he was diagnosed with kidney problems. This kills his promising opportunity of going to college on a football or wrestling scholarship. After seeing Little Charlie & The Nightcats in a small club in Chicago Nick decided this was what he wanted to do for a living. Nick got a part time job playing bass in his brother’s band and was going to a lot of jams on the other nights. A friend passed his name to Jimmy Dawkins who needed a bass player. Nick joined Jimmy’s band not even knowing how important of a blues artist Jimmy Dawkins was. Later on Nick moved to The Legendary Blues Band with Willie ‘Big Eyes’ Smith who had played drums for Muddy Waters. Willie asked Nick to change from bass to guitar after one of the guitarists had quit the band. Nick had already been playing around with the guitar so he was ready to play. He got so good on the guitar that not long after this he was asked to join Jimmy Rogers’ band. Their first gig was at the W.C. Handy Awards, needless to say Nick was a little nervous that night. After three years with Jimmy Rogers Nick decided he wanted to have his own band. By the late nineties Nick Moss & the Flip Tops were playing all over Chicago.

Moss & the Flip Tops’ CD’s
1998 First Offense
2001 Got a New Plan
2003 Count Your Blessings
2005 Sadie Mae
2006 Live at Chan’s
2007 Play It ‘Til Tomorrow

Nick Moss & the Flip Tops current CD Play It Til’ Tomorrow is a double disc. Disc one is their standard electric blues sound. Of the fourteen tracks on disc one, eleven are by Nick with the other three being:
Woman Don’t Lie – Luther “Snake” Johnson
Bad Avenue – Walter Williams
Rising Wind – Floyd Jones

The first song “Late Night Saint”, has a good solid steady beat that gets you in sync with the band. “You Make Me So Angry”, “Greasy Fire”, and “Rump Bump” are all faster moving with the last two being instrumentals. Nick really plays good blues harp on “Peculiar Feeling” and Floyd Jones’ “Rising Wind”. “Mistakes from the Past” is a mid-tempo blues song with great lead guitar playing. This may be in the podcast as the Guitar Solo of the Week but then again I was going to use “Rump Bump”. Decisions decisions, too many good songs and this is only the first disc. On “Herman’s Holler” I’m not sure which I like better, Willie Oshawny’s piano playing or Nick’s lead guitar playing, oh well they’re both enjoyable.

Disc two is an unplugged yet upbeat and diverse sounding disc. “You’ve Got the Devil Inside” is a boogie shuffle. Nick got the idea for the lyrics from looking at a Dirt Devil vacuum cleaner. “We’ve Got the Devil Inside” was written on the vacuum cleaner, Nick liked the line and changed it a little to be in the song. Gerry Hundt puts down his bass to play harp on “You’ve Got the Devil Inside”, “I’ll Be Straight With You”, “Another Life Is Gone”, “Married Woman Blues”, “It’s Written in the Bible”, and “Slim’s Lament”. All the songs really sound good but Gerry’s tasteful playing on “Slim’s Lament” is outstanding. “Fill’er Up” is a nice instrumental with Nick on guitar and Gerry on harp and the two of them sound so good together.

Disc two is so cool like you’re walking down a street in Chicago. Each song is like you’ve poked your head into a different bar during different eras because they each have a different style of blues. One thing they have in common, the players are playing their hearts out giving the song everything they can. To be honest each and every song is not completely different from each other but a lot of them are. The styles of blues flow together with each other very nicely. I could go on and on about the songs but you should listen to the podcast to hear what they are like. Better yet buy Play It Til’ Tomorrow this two CD set will keep you entertained for years to come. Nick Moss & the Flip Tops have really out done them selves this time.

The Band is:
Nick Moss – guitar, harp, lead vocals
Willie Oshawny – keyboard, bass, guitar
Gerry Hundt – bass, guitar, harp, and mandolin
Bob Carter – drummer (Nick said he a great piano player but is not playing on the CD)

Songs in the podcast:
It’s Written in the Bible – (part of alternate take part of the main take)
You’ve Got the Devil Inside
I’ll Be Straight with You
You Make Me So Angry
Peculiar Feeling

Guitar Solo of the Week: “Mistakes from the Past”

Nick Moss & the Flip Tops Website

Nick Moss & the Flip Tops MySpace page

Buy the CD from their website

To buy Play It Til’ Tomorrow at CD Baby Website

To buy Live At Chan’s (Live) at CD Baby Website

To buy Sadie Mae at CD Baby Website

To buy Count Your Blessings at CD Baby Website

To buy Got A New Plan at CD Baby Website

To buy First Offense at CD Baby Website

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Blues Music and Interviews
A1Blues.Com
formerly A1 Artist Spotlight. Com
by A1 Mark

Hear the Dennis Gruenling talk about his CD’s Up All Night & I Just Keep Lovin’ plus some great songs from Up All Night.
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Dennis said for as long as he can remember he has always loved music. In school he played trumpet, a little guitar, listened to rock, some classic rock, country western, anything. Looking back he now sees the common thread through all the music was when it touched on the blues he liked it. His uncle turned him on to plain old blues by way of the CD Harp Attack, which featured Junior Wells, James Cotton, Carey Bell, and Billy Branch. If that was not enough his uncle gave him a harmonica at about the same time. That’s all it took for him to be really hooked on the blues. This was around the early nineties. Dennis tried to buy all the blues records he could find. Around town he was starting to do blues shows with the local New Jersey bands. Dennis met Steve Guyger around this time who had once toured with the great Jimmy Rogers. Dennis started going up to Philadelphia to see Steve play. Steve was always encouraging and supportive of Dennis. By 1998 Dennis had his own band doing kind of a jump swing style of music. Their first CD came out the following year called Dennis Gruenling & Jump Time.

Dennis became friends with another harp player/singer named Sandy Mack. They both played some of the same songs in their bands and did some touring together. Dennis as well as Sandy wanted to do a more Chicago style blues at this point. They decided to work together on a CD that came out in 2000 called Up All Night. This weeks podcast will spotlight this exceptional CD. On the first listening you will immediately think this sounds like a fine Chicago blues band of the early fifties. The sound, feel, groove it’s all there. The only thing that is missing is the scratchy, popping sound of the old records. The one thing added is the high quality of a modern CD. Of the fifteen songs on Up All Night six are written by Dennis Gruenling, four by Sandy Mack (real name J. McCuiston) the remainder are older covers. I was impressed at their writing ability. The song “True Love” has a sound of a Sonny Boy Williamson II recording but it’s an original by Dennis. “You Got It” was styled after something you might hear performed by Jimmy Rogers. Sandy Mack’s vocals are always good but on “I Gotta Have Her”, a song he wrote, they really sparklel. Andy Riedel has kind of a B.B. King style of playing guitar on this song too. One song that is not a Chicago style song is Dennis’ song “Dirty Deal”. Dennis said this is more like something George “Harmonica” Smith would have done. Kind of a rhythm and blues style with a bit jazz in it. One of the real treats is getting to hear Dennis Gruenling do the song “Roller Coaster”. He had been told this was the hardest song Little Walter had ever done. Dennis was up for the task of recording “Roller Coaster”. He had already learned almost every song Little Walter had played. Most of the song is note for note what Little Walter did with the exception of a part in the middle where Dennis put in some of his own ideas. The song turned out great, really the whole CD turned out great as you will hear in the podcast.

In 2001 Dennis Gruenling & Jump Time put out their second CD titled That’s Right!

In 2008 Dennis put out a new CD I Just Keep Lovin’ Him, A Tribute to Little Walter. This has been met with great reviews. Like the one in Blues Revue (Aug/Sept 2008) where Eric Thom praises the job Dennis does on making the CD. The only other person that has done a tribute to Little Walter is George “Harmonica” Smith way back in 1968. Kim Wilson, Rick Estrin, Rusty Zinn, and Steve Guyger are all guests that really make this a special CD. Dennis was smart he did not do a lot of songs everyone already had by Little Walter. Even though you may have several CDs of Little Walter you will probably not have most of these songs. Some songs are from when Little Walter was a sideman doing songs by Muddy Waters or Jimmy Rogers. Then there are the songs from Little Walter solo career. Some of the more unique songs are “Corbella”, “My Little Machine”, and a Muddy Waters song “Lovin’ Man”. Since the podcast is about the Up All Night CD I won’t be playing any songs from I Just Keep Lovin’ Him. You may want to go by CD Baby’s Website where you can hear a two-minute clip of each song and even buy the CD.

Up All Night with Sandy Mack and I Just Keep Lovin’ Him, A Tribute to Little Walter are both Chicago style blues at it’s best. The only thing better than this is hearing Little Walter live. Oh, that reminds me, a few weeks ago I saw Dennis Gruenling at BB’s Jazz, Blues & Soups in St. Louis. You have to go see this guy live. He even had Steve Guyger (who toured with Jimmy Rogers’) with him. If you close your eyes you just might think you are hearing Little Walter and one of those great old Chicago blues band of long ago.

CD’s by Dennis Gruenling:
2008 – I Just Keep Lovin’ Him
2001 – That’s Right!
2000 – Up All Night – W/ Sandy Mack
1999 – Dennis Gruenling & Jump Time

Songs used in the podcast:
1. On Fire
2. Up All Nigh
3. Bluesin’
4. True Love
5. You Got It

Dennis Gruenling Website

Dennis Gruenling MySpace

Bluebeat Music best place to buy any of his CD’s

To Buy I Just Keep Lovin’ Him, A Tribute to Little Walter at CD Baby Website

I’d like to thank Dennis Gruenling for taking the time to do the interview and all his help in putting this show together.

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Blues Music and Interviews
A1Blues.Com
formerly A1 Artist Spotlight. Com
by A1 Mark